SWOP SHOP
FASHION IS FOR HIM AND HERI think a lot of us can identify with this one, most couples have probably borrowed an item or two or more from each others wardrobe at some point in a relationship or failing that, will have at least shopped for ourselves in the clothing departments of the opposite sex on occasion..either way, I love these illustrations from The Boyfriend book (1970). But what really interests me about them is the illustrator's name! It's signed as Brocklehurst (the signature runs vertically up along the bottom right of the girl's trouser leg..it's pretty small, so i've enlarged it in the third scan for your perusal)...because the only artist that I am familiar with who worked under that name is Jo Brocklehurst - most widely acclaimed as chronicler of subcultures and nightclub life in the 70s & 1980s. Anyone who is aware of her output from that period will know that the work is completely different to what you see here, it's much rawer and in a similar vein to that of Egon Schiele. I can actually remember the first time that ever I saw it, I was still in school at that stage, but from one singular image, I knew instantly that whoever this person was they definitely had their finger on the pulse of life outside the mainstream and immediately wrote the name on the inside of my art folder for future reference (I still have it btw, see final photograph). If you google search Jo Brocklehurst online, the only images which regularly show up are the drawings from the punk & club scene crowd of the 1980s even though she had a life long career ever since graduating from art college as a teenager, first working as a commercial artist before moving into fashion illustration & then lecturing later in life, while continuing to work on personal projects throughout. According to her close friend and muse Isabelle Bricknall, she had in fact been documenting the emerging bohemian/counter culture scene in London as far back as the 1960s and had been drawing people in clubs since the 1950s before then, i've never actually seen examples of any of it, these illustrations from 1970 are the earliest representation of her 'other' work that I am personally aware of to date. Apparently, she was in the process of curating a museum of her own work at her home in Westbere Road towards the end of her life, but since her death in 2006 the ownership of much of it has been the subject of an ongoing legal dispute and the rest are scattered among friends. As a prolific artist who worked constantly over a 50 year period, documenting subculture from within the epicentre of each scene as it was actually happening from decade to decade, I think this unknown work sounds like it has the makings of a really interesting retrospective on many levels, now more than ever before, so much has changed over the past ten years as we increasingly move further away from the uniqueness of these eras in all respects and seem to be heading towards a collective blandness in the name of progress with each passing day via the impact of the internet & globalisation. While researching material for this post, the same information turned up time and time again, she was a very private individual judging by any of the accounts given, most were written shortly after her death with the exception of an in depth article by Tom Jenkins for Vice UK last year (see links), however, I decided to have one last look for current news articles and i'm pleased to say i've found one, there is a forthcoming exhibition at The Gallery Liverpool featuring the work of Jo Brocklehurst and photographer Sheila Rock later this year, it's called Typical Girls and runs from the 19th of August - 4th September 2016.
She will borrow...his knee-length socks, his watch, his black trousers, his tie (worn squaw-like round her head), his troubadour shirt, and in mad moments, will dab his aftershave behind herears.
The artist's signature (1970).
Jo Brocklehurst's signature on the front of a poster advertising an exhibition of her London Drawings in 1984. Almost identical to the example from 14 years earlier. I can also see some traces of similarity in the execution of the features between this girl and the chap below.
He will borrow...her hairdryer, her rollers, her belt with enormous buckle, her waistcoat, her boots, and no one will recognize it as being hers!
Jo Brocklehurst in Rome, 1966. Photo courtesy of Fershid Bharucha.
IMAGE CREDITS & LINKS
Images scanned for the Sweet Jane blog from the Boyfriend book 1970 with thanks to Brad Jones, all illustrations by Jo Brocklehurst. Art Folder photo by Sweet Jane. Remembering Jo Brocklehurst, the Artist Who Documented London's 1980s Anarcho-Punk Squatters here, Discover more about the artist Egon Schiele here, Read an excerpt from Sex and Unisex: Fashion Feminism, and the Sexual Revolution by Jo B. Paoletti on Pop Matters here & visit the author's blog here, The New York Dolls rocking some outfits from Biba in 1973 here, The white dress Mick Jagger wore for the 1969 Rolling Stones' Hyde Park concert epitomised the swinging Sixties, says Mick Brown here, You'll find fashion & anti-fashion, street style and much more on the excellent Ted Polhemus in the 21st Century website here, and Shapers of the 80s - British youth culture at its finest here, His and Hers - the 2010 exhibition exploring the relationship between gender and fashion over the past 250 years is still available to view on the FIT archive here. and finally, Where Were You? Dublin Youth Culture & Street Style 1950-2000 by Garry O'Neill here & here.